Cabin 6 Films
A Note for Brittany
A Note Before You Scroll

Brittany — I enjoyed our calls. Then I went and read more of your story online, and I kept thinking about how useful a video version of it would be. I think you know that too. But with everything that comes with building something new, I figured the timing might be making the answer for you.

But I wondered if some different perspective might reveal an opportunity that's actually worth looking at right now. So I threw this landing page together — custom, just for you — because I wanted to show you what I had in mind. And being nimble the way I am, maybe we can find a payment structure that makes it possible. Show it to Peter. See if it's worth doing in this season, especially the speaker piece.

No pressure. Stories like yours are the kind I seek out, and I just had to reach out properly.

Here's what I'd build. Take your time with it.

— Kevin Cabin 6 Films
A Keynote Film — For Brittany

A film for the version of you that walks into the room.

Conferences want a video before they book you. Pastors want one before they take the meeting. Podcast hosts want one before they schedule you. This is the film that does that.
The Real Work

You have already built the harder thing.

A real methodology. A real practice. A real conviction about underutilized church space.

What you don't yet have is the carrier — the asset that travels into rooms before you do. The thing a conference booker watches at midnight before deciding whether to put you on stage.

Who is she, really?

A keynote film answers that question once. Cleanly. On your terms.

Six Rooms, One Film

Where this film will work.

The speaker circuit.
Exponential. Regional planter networks. Provider conferences. Every booker asks for a reel. Yours won't sound like the others.
The pastor who Googles you.
He'll look you up before the meeting. The film makes him trust the woman behind the work.
The podcast inbox.
Hosts get a hundred pitches. The ones with a film attached get scheduled.
The publisher who's heard your name.
Agents and editors greenlight quickly when they can already see the person on screen. The film makes you legible to the people who decide whose story gets a book.
The record.
Built on your terms, in your voice, told the way it actually happened. Built to outlast the noise.
Future Brittany.
Years from now, when the children are grown and the business has scaled and the season has changed — this is the artifact of who you were at the inflection. That alone is worth making.
The Interview Is the Asset

Why one day of filming matters.

Most video work treats an interview as a means to a deliverable. I treat it as the foundation for everything you'll need to say on camera for the next three years.

When I come out, we're not shooting a video. We're recording a story library — your origin, your vocation, your methodology, your faith. The cuts go out the door this year. The footage waits patiently for the rest.

When an interview only has to feed one deliverable, the subject performs. When it's allowed to cover the whole of who you are, you stop performing and start talking. That's where the real moments come from.

A Recent Film
Justin Pickens — a former teacher building a keynote career. One day of filming. The film is now his calling card.
Phase One Deliverables

What you walk away with.

  • The Keynote Film
    Three to five minutes. Documentary-style. The flagship — lives at the top of your website.
  • The Speaker Reel cut
    Sixty to ninety seconds. Built to the format conferences ask for.
  • The interview library
    All the footage. Yours. Held in reserve for what comes next.
What We Build From Here

Phase Two, when you're ready.

The interview library makes Phase Two flexible. Some of what comes next can be drawn from footage we already have. Some of it may want a return trip — a stage capture, a partner church, B-roll built around the work as it grows.

A testimony cut for your church and faith network. A consulting overview for your service pages. Short FAQ pieces for prospective church partners. A flagship piece built around a recorded keynote.

And when the book comes — many speakers in your position eventually write one — the interview library is where the spine of it already lives. We'll have been recording the source material all along.

None of this is sold here. Build the foundation carefully, deliver what's needed now, decide together when the time comes.

The Process

How we make it.

One.
The story call. Ninety minutes, before any camera turns on. We find the spine.
Two.
The filming day. I come to you. A long, careful interview. Quiet. Deliberate. Not rushed.
Three.
The edit. You see a first cut. We refine. We lock it.
Six to eight weeks, start to finish.
Investment
$9,500

Phase One. Two cuts and a complete interview library. Built as positioning infrastructure, not a video deliverable.

Option A
Three payments
$3,200 at start.
$3,150 at filming.
$3,150 at delivery.
Option B
Six payments
$1,584 monthly,
beginning at start.
Final payment at month six.
Travel
Travel handled at cost — flight, lodging, ground transport — billed transparently with receipts. Typically $1,200–$1,500 for a single-location shoot from South Dakota.
A Last Word

A film built carefully tends to outlast the season it was built in.

If this resonates, reply to my email or text me. We'll set the story call.

— Kevin Cabin 6 Films
Cabin 6 Films
Built for Brittany · Spring 2026
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